Who invented Gill Sans?
Eric GillGill Sans / Designer
Nearly 90 years after its initial release, Gill Sans—aka “the Helvetica of England”—has been revived and expanded for the 21st Century. British designer Eric Gill created Gill Sans in 1928.
What is Gill Sans used for?
The Gill Sans alphabet is classical in proportion. It is classified as a “humanist” sans serif, making it very legible and readable in text and display work. This makes it better suited than most sans serif typefaces to setting bodies of text.
Is Gill Sans copyright?
Gill Sans digital font, as digitized by Monotype Corporation, is owned and copyrighted by them.
What font is closest to Gill Sans?
Similar Fonts
- P22 Underground.
- ITC Johnston.
Is Gill Sans a type 1 font?
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards. Gill was commissioned to develop his alphabet into a full metal type family by his friend Stanley Morison, an influential Monotype executive and historian of printing.
What is MT before name?
For example LT stands for Linotype, MT stands for Monotype, FF stands for FontFont and EF stands for Elsner + Flake.
What font family is Gill Sans?
Gill Sans MT font family. Gill Sans is the famous set of humanist sans serif fonts originally designed by Eric Gill and the Monotype Type Drawing Office, first appearing in 1928. Gill studied under the renowned calligrapher, Edward Johnston, the designer of the London Underground sans serif typeface.
Is Gill Sans a registered trademark?
Gill Sans? is a trademark of The Monotype Corporation, Inc. which may be registered in certain jurisdictions. We were unable to load Disqus Recommendations.
When was the first Gill Sans made?
These became Monotype series 231, produced in 1923, and the forerunner of the extensive Gill Sans range now available. A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel.
What is sans serif font?
A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel. The lighter weights are highly readable in text and suitable for magazine and book work, whereas the heavier weights are best used for display in advertising, packaging, and labels.