What saxophone is used in Take 5?

What saxophone is used in Take 5?

Title: Take Five – Alto Saxophone
Instrument: Alto Saxophone, range: Eb4-Eb6
Scorings: Instrumental Solo Instrumental Part
Original Published Key: C Minor
Product Type: Musicnotes

Which saxophone is best for rock?

Tenor is the usual saxophone for rock, and it makes very little difference what make. You just need a good one as with any style of music. The mouthpiece is a more important piece of kit as far as making the sound goes.

Which saxophone is best for pop?

Players such as Ben Webster, Coleman Hawkins and John Coltrane helped create the classic cool jazz sound of the 30’s, 40’s and beyond. The Tenor Sax is not restricted just to jazz, it is widely used in pop, rock, funk and even classical music.

Is Take Five copyrighted?

There are variants in the basic copyright period from country to country, but in all of them the period is still valid and “Take Five” is still under copyright.

What is the most commonly used saxophone?

Alto saxophone
Alto saxophone The alto is the most commonly-played type of saxophone and the instrument that most beginners start to learn on. It’s an E flat instrument, and is pitched higher than the tenor and lower than the soprano.

What style of music can a saxophone perform?

The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music.

Who plays sax take 5?

Paul Desmond
Morello was referring to alto saxophonist Paul Desmond, who first played with Brubeck in the late 1940s before joining Brubeck’s trio in 1951. Desmond is credited with composing “Take Five,” but Brubeck says the tune was a group project with Desmond providing two main ideas.

Why is take 5 famous?

“Take Five” is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album Time Out at Columbia Records’ 30th Street Studios in New York City on July 1, 1959. Two years later it became a surprise hit and the biggest-selling jazz single ever.